I decided to try and put some of what I have learned to good (?) use.
You Did is my oldest song, recorded in my living room with my crappy Tascam mic (MXL, really). Everything has changed in the song since then :-) except the lyrics themselves. The VSTs have changed, the FXs have changed... But is the song better?
Here's the original version:
https://soundcloud.com/divinegravity/you-did-feat-shallabal-kgb
And here's the new version:
https://soundcloud.com/divinegravity/you-did-feat-shallabal-2013-1
Which one do you like best? Why?
Showing posts with label music. Show all posts
Showing posts with label music. Show all posts
Sunday, June 16, 2013
Friday, May 31, 2013
Official Entry For GearFest Mixing Contest
Here is my final mix, officially submitted for the GearFest Mixing contest:
https://soundcloud.com/vinnie2k/the-liza-colby-sound-oh-baby
It made me sweat. But thanks to some great advice and discussion I had with fellow audio geeks (shout out to Bruno and Stéphane) and some good music feedback (thanks Anna!), I learned a lot about mixing and reverbs and sounds.
And the power of coloring tracks and labelling song sections :-)
https://soundcloud.com/vinnie2k/the-liza-colby-sound-oh-baby
It made me sweat. But thanks to some great advice and discussion I had with fellow audio geeks (shout out to Bruno and Stéphane) and some good music feedback (thanks Anna!), I learned a lot about mixing and reverbs and sounds.
And the power of coloring tracks and labelling song sections :-)
Sunday, May 26, 2013
Gearfest Mixing Contest draft entry
I've decided to enter the Gearfest Mixing Contest: http://www.puremix.net/gearfestmixingcontest
I've sent a draft mix to some friends and I thought you might want to have a listen as well:
I really struggled with this mix. The vocals seemed completely out of place with the rest of the song until I used the oldest trick of them all - more when I submit the final mix :-) I'm still not convinced it sounds good but that's all I can manage.
If you're interested, all the submissions are public and available from this Soundcloud group: https://soundcloud.com/groups/gearfest-mixing-contest
Definitely some creative people out there :-)
I've sent a draft mix to some friends and I thought you might want to have a listen as well:
I really struggled with this mix. The vocals seemed completely out of place with the rest of the song until I used the oldest trick of them all - more when I submit the final mix :-) I'm still not convinced it sounds good but that's all I can manage.
If you're interested, all the submissions are public and available from this Soundcloud group: https://soundcloud.com/groups/gearfest-mixing-contest
Definitely some creative people out there :-)
Tuesday, May 14, 2013
One of the coolest sites I've seen
Check this out: http://www.furia.com/misc/genremaps/engenremap.html
Isn't this awesome?
Thanks to Bobby Owsinski via his newsletter for the suggestion.
Isn't this awesome?
Thanks to Bobby Owsinski via his newsletter for the suggestion.
Saturday, March 2, 2013
Ears
It's funny how listening to more music in a better listening environment trains my ears.
By better environment, I mean on monitors instead of ear buds. The listening sensation is absolutely not the same. Something different happens when air is pushed by the monitor drivers and arrives milliseconds later to my ears. I can pick out people singing out of tune a lot better than before - and yes, that's painful, especially if you sing with other amateurs who don't train their ears and/or voice as much.
The other interesting thing happening is that as I am listening to music, I critique the mix and the balance of instruments. This never happened to me before; I guess reading all those books about recording and mixing, and doing it myself of course, helped me listening to music differently. Thge other thing I noticed is how lifeless most of our modern music is. Not a beat out of rythm, not a note out of tune. We can thank DAWs and plugins for that, but as an amateur, it's a lot tougher to actually try to make music without going in and changing all those little inconsistencies. Listen to music made in the 70s: incorrect notes are left in, technically inperfect guitar playing is left in, voice crackles are left in, and OMG the dynamic range of music is left in! What we listen to nowadays is so compressed! The problem is that people's ears are now trained to listen to music that way, and if you produce something that's not as "perfect", people will think your stuff sucks.
Off my soapbox, and on to my next endeavour: the perfect mix workflow :-)
By better environment, I mean on monitors instead of ear buds. The listening sensation is absolutely not the same. Something different happens when air is pushed by the monitor drivers and arrives milliseconds later to my ears. I can pick out people singing out of tune a lot better than before - and yes, that's painful, especially if you sing with other amateurs who don't train their ears and/or voice as much.
The other interesting thing happening is that as I am listening to music, I critique the mix and the balance of instruments. This never happened to me before; I guess reading all those books about recording and mixing, and doing it myself of course, helped me listening to music differently. Thge other thing I noticed is how lifeless most of our modern music is. Not a beat out of rythm, not a note out of tune. We can thank DAWs and plugins for that, but as an amateur, it's a lot tougher to actually try to make music without going in and changing all those little inconsistencies. Listen to music made in the 70s: incorrect notes are left in, technically inperfect guitar playing is left in, voice crackles are left in, and OMG the dynamic range of music is left in! What we listen to nowadays is so compressed! The problem is that people's ears are now trained to listen to music that way, and if you produce something that's not as "perfect", people will think your stuff sucks.
Off my soapbox, and on to my next endeavour: the perfect mix workflow :-)
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